I am honoured to be invited to talk about the Dreamachine during a 90 minute panel with two other esteemed speakers, academics and authors chaired by Oliver Harris for the European Beats Network (EBSN). The EBSN brings together, from across and beyond Europe, those who share an academic or creative interest in the broad field of Beat culture.

2020 will be the 60th anniversary of the first publications using the cut-up methods developed by William Burroughs and Brion Gysin at the Beat Hotel in Paris. To mark this landmark in cultural history, we are organising CUT-UPS@60, an international Cut-Up Conference in London and Paris in September 2020.

 

With two days of events in each city, the conference will be a major multidisciplinary occasion to examine the past and explore the ongoing legacy of the connections that Burroughs’ work in particular made between artistic and social radicalism.

We envisage a series of talks, workshops, exhibitions, and performances in film and music (remix, sampling, mashup), literature and the arts (collage, chance), politics (détournement as ideology critique), sexual identity (therapeutic deconditioning), philosophy (deconstruction of language), social movements (participatory activism), the occult (divination, exorcism), and science (virus/genetic research).

The legacy of cut-ups goes beyond the A to Z of artists famous for using its methods, from Kathy Acker to John Zorn by way of Sinclair Beiles, David Bowie, Jan Herman, Harold Norse, Claude Pélieu, Jürgen Ploog, Carl Weissner, Terry Wilson, and we hope to see the literally cutting-edge new work being done in any field inspired by cut-ups, to bring together the unlimited potentials unleashed by the Stanley knife that Gysin put into Burroughs’ hands in Paris 60 years ago.

The conference looks to the future and will also be a major retrospective, featuring a triple book launch: a cut-up trilogy of incendiary pamphlets with expanded 60th anniversary editions of Minutes to Go and The Exterminator, and a never-before-seen handbook of guerrilla tactics assembled from recently discovered archival sources, BATTLE INSTRUCTIONS. The new text, as fresh and ferocious as when it was created, reveals Burroughs the experimental artist and political radical at his most revolutionary.

Full information and how to get tickets here  :
www.realitystudio.org/cut-ups-at-60/