I am pleased to announce my paper “Revelations by Flicker: Dream Machines and Electroencephalographic signals in art” has been accepted for the AISB-50 Symposium on “The Future of Art and Computing: A Post-Turing Centennial Perspective”, to be held this April. The Symposium will be on Thursday 3rd April, I am scheduled for 2pm, with AISB-50 running 1-4 April, 2014.
How did an ordinary tool in the Neurophysiology department became a means for spiritual enlightenment? This article follows the emergence of the EEG in artworks, internalised like its predecessor from research laboratories, Flicker. The crossover occurred between Dr Grey Walter’s neurological research with strobes and electroencephalographs, and the arts culture of ‘The Beats’ following his publication of “The Living Brain.” Cyberneticians, psychologists and artists were soon inspiring each other with pioneering chemistry, new artistic styles and new ways of seeing.